Training: Mountview Academy of Theatre Arts, First Class BA (Hons), graduating in 2021.
Theatre Includes: Ben made his West End debut as Frankie Valli in Jersey Boys (Trafalgar Theatre).
Workshops: Frank Abagnale Jr. in Catch Me If You Can (Adam Spiegel Productions);
Boy Henry in The Little Big Things (Michael Harrison Entertainment).
Television: Jonny in The Power (Sister Pictures/Amazon Prime).
Cory is a native upstate New Yorker now living in London, dividing his work between the US and the UK. He trained at Drama Studio London.
Theatre includes: Maybe, Probably(Old Red Lion); Indecent (Menier Chocolate Factory); Rob in Sleepless The Musical (Encore Theatre Productions); Fester in Addams Family; Oscar Shapiro in Curtains(Wyndham’s Theatre); Rusty Charlie in Guys & Dolls(Royal Albert Hall); Igor in Young Frankenstein(Garrick Theatre); Boolie in Driving Miss Daisy (York Theatre Royal); Gangster 1 in Kiss Me Kate (Kilworth House); Head Waiter in She Loves Me (Menier Chocolate Factory); Caliban in The Tempest (Bedouin Shakespeare Company); Max Bialystock in The Producers(UK Tour); Old Man Strong/ Hot Blades Harry in Urinetown(West End/St James theatre ); Robert in Dream of Perfect Sleep(Finborough Theatre); Amos in Chicago (Broadway); Igor inYoung Frankenstein (Broadway/US Tour); Max Bialystock in The Producers (Drury lane/UK Tour) Manchester Evening Standard award Best Performance in a Visiting Production; Benny Southstreet in Guys & Dolls(Donmar Warehouse/Piccadilly Theatre); Mary Sunshine/Amos in Chicago(Adelphi Theatre); Dromio in Comedy of Errors(Oxford Shakespeare Company); God/ James the Lesser in Corpus Christi(Edinburgh Festival); Beaky in Our Father(Pentameters theatre); Protean/Hero in A Funny Thing Happened on the Way to the Forum(Broadway); Barnaby in Hello Dolly (Broadway); Bubba in Damn Yankees(Broadway); Brandy Bottle Bates in Guys & Dolls(Broadway); Ensemble in Jerome Robbins’ Pappa piece(Lincoln Center) and Flagstaff in Gypsy(Broadway).
Television includes: Stewart Balmer in Delia, Raven (voice/ Additional Voices) in Hilda; Imp in Mysti and Aryan in Oz, appearances in David Letterman’s and Rosie O’Donnell’s shows.
Film includes: Sammy in Our man from Jersey, Peck (voice) in Stardog and Turbocat; Maitre D’ in Cats; Skeptic Kaplan in The Conjuring 2; Empire II and Mountanaire.
Sarah, originally from Co. Carlow, Ireland.
Theatre Includes: Helen in Half A Sixpence (Kilworth House), TABOO 20th Anniversary Concert at The London Palladium. Monica Geller in the original UK tour of the Friends musical parody, Friends. Sister Mary Robert in UK Tour of Sister Act (Jamie Wilson Productions), Snow White in Snow White (Qdos pantomimes), Sister Mary Robert in Sister Act (Kilworth House), Cinderella in Cinderella (Qdos pantomimes), Rachel in Bad Girls (The Union Theatre), Christmas in New York with Eden Espinosa (Palace Theatre, London/Manchester), Been on Broadway (Vaudeville Theatre), Betty in Sincerely Yours (Landor Theatre), Woman 2 in I Love You You’re Perfect Now Change (Battersea Barge), Jodie in Best Of Friends (The Landor), Janey/cover Kim in Taboo (Brixton Clubhouse)
Training: Tring Park School for the Performing Arts & LAMDA.
Oliver will feature as a guest lead in an episode of London Kills (BBC/Acorn TV) Season 4, due for release in 2023 which will mark his TV debut.
Credits whilst training include the title role in King Lear, Yasha in The Cherry Orchard, Julian in The Misanthrope, Dysart in Equus & Mark in Eigengrau.
Back to the Future the Musical marks Oliver's West End debut.
Goldie Wilson/Marvin Berry
Theatre Credits include: Winston Churchill in Sylvia (Old Vic Theatre); Aaron Burr in Hamilton (The Victoria Palace Theatre); Bill Calhoun in Kiss Me Kate (The Watermill Theatre); Berry Gordy in the final London cast of Motown the Musical (Shaftesbury Theatre); Drifter in Beautiful: The Carole King Musical (Aldwych Theatre); Duane in Hairspray (Gordon Craig Theatre); U/s and played Curtis in Save The Last Dance For Me (UK Tour); Marlow in She Stoops To Conquer (London Contemporary Theatre); Sword and The Dope (Kings Head Theatre); Whistle Down The Wind (Aldwych Theatre).
TV Credits: The Ballad of Renegade Nell (Disney+); Doctors (BBC); I Dream (BBC).
Film Credits: Seeing Double (19 Entertainment).
Other Performance: TOTP; The Queens Jubilee; Smile; Blue Peter (BBC).
Jay was an original member of pop group S Club Juniors.
Theatre Credits: Onstage swing / 1st Cover Lucy and 2nd Cover Susan in The Lion, The Witch and The Wardrobe (UK Tour), Violet Beauregarde in Charlie and The Chocolate Factory (Theatre Royal Drury Lane, West End), Hortensia in Matilda (Cambridge Theatre, West End) and Older Girl in The Boy In The Dress Musical Workshop (RSC).
TV & Film Credits: Maya in Maya’s Moment (Short Film), Fran in Bye Bye Baby (Short Film), Sophie in Stage School (E4), Salsa Dancer in Cuban Fury (Feature Film).
Commercials: Logitech, Panadol, Peperami, Dixons, Ebay and AO Appliances.
Recording: Music / Artist Development with AHM Media, Vocalist for Rhythmstix Educational Music Co, Single releases (original music)
Training: Rose Bruford College
Theatre includes: Francis Henshall in One Man, Two Guvnors (Liverpool Playhouse, Bolton Octagon, Theatre by the Lake)
Television Credits: Tinhead in Ladhood (BBC), Mal in Coronation Street (ITV), Degsy in DI Ray (ITV), Aiden Fieldhouse in Doctors (BBC)
Film Credits: Eddie in This Is The Winter (Outsider TV), Can You See Me? (Raine Films)
Jordan is ecstatic to be making his West End Debut in Back To The Future The Musical, and would like to thank his wonderful family and friends for their continued love and support.
TRAINING: Mountview Academy of Theatre Arts (Dame Judi Dench Scholarship Award winner)
Theatre includes: Mandela (Young Vic), Rodgers and Hammerstein's Cinderella (Hope Mill), Les Miserables (UK & Ireland Tour), Oklahoma! (Grange Park Opera), My Fair Lady (Teatro San Carlo,), The Lion King (UK National Tour & Basel, Switzerland), The Phantom of the Opera (25th Anniversary UK & Ireland Tour), She Loves Me (Chichester Festival), Promises Promises (Southwark Playhouse), Lend Me A Tenor (Plymouth Theatre Royal), The Great Jewish American Songbook (Upstairs at The Gatehouse), Chess in Concert (Royal Albert Hall), Buddy – The Buddy Holly Story (Duchess Theatre), Oliver! (Larnaca, Cyprus), Wallis! (Upstairs at The Gatehouse), Sunset Boulevard (UK Tour), Crazyface (Bristol Old Vic), Night of 1000 Voices (Royal Albert Hall)
TV & FILM: Emmerdale (ITV), The Weekend Starts Here (HTV), The Josie Lawrence Show (C4), The Honey Siege (ITV), Down to Earth (BBC), Displaced Person (Partridge Films), The Vanity Project (Charing Cross), The Democracy Game (C4)
RECORDINGS: Mandela (Original London Cast recording) Paradise Lost - 2015 Studio Cast Album (SimG Records), The Nutcracker in 3D (G2 Pictures), The Last Day of Summer (Demo)
Training: Laine Theatre Arts.
Theatre includes: Slick/Ensemble in Back to the Future (Adelphi Theatre) Ensemble/Dance Captain/Cover Buttons & Dandini in Cinderella (New Victoria Theatre, Woking); Swing/ cover Sid in Half a Sixpence (Kilworth House Theatre); Ensemble/cover Mr Bascombe in Carousel (Kilworth House Theatre); Andy/us Nick, CC and Harry in Flashdance (UK Tour); Ensemble/us Pepper and Eddie in MAMMA MIA! (International & Uk Tours); Ensemble in The Gospel of Us with Michael Sheen (The National Theatre, Wales); Ensemble U/S Giant in Jack and the Beanstalk (Capitol Theatre Horsham); Starkey/Ensemble in Peter Pan (White Rock Theatre, Hastings); Mike Costa in A Chorus Line (Laine Theatre Arts); Ensemble U/S Aladdin in Aladdin (Alhambra Theatre, Bradford); Ensemble in Aladdin (Kings Theatre, Edinburgh).
Before training professionally, Rhodri was a member of both The National Dance Company of Wales and National Youth Dance Wales.
Training: The Urdang Academy
Theatre includes: 1st Cover Baby Frances Houseman / 2nd Cover Marjorie Houseman / Onstage Swing in Dirty Dancing (Dominion Theatre); 1st Cover Baby Frances Houseman / 2nd Cover Marjorie Houseman / Onstage Swing in Dirty Dancing (UK & Ireland Tour); Tess in Flashdance (International Tour); A West End Christmas at the Cadogan Hall (Cadogan Hall London)
Workshop Credits Include: Ensemble in Evita (Regents Park Open Air Theatre); Ensemble in Bring It On (UK Tour)
Credits Whilst Training: Charity in Sweet Charity; Rita O’Grady in Made in Dagenham
Patricia is delighted to be joining the cast of Back to the Future and would like to thank her family and friends and her agent Apollo Artist Management for all their support.
Alternate Marty McFly
Training: Urdang Academy (2022 Graduate)
Theatre includes: Eugenius (The Turbine Theatre), Jack and The Beanstalk (Little Wolf Entertainment Ltd), A Night With Drew Gasparini (Norwich Theatres), We Aren’t Kids Anymore (Norwich Theatres), Taboo Concert (The London Palladium), KIN The Musical (Factory Playhouse), Musical Theatre Rewind Concert (The Union Theatre)
Credits whilst training: Charlie in Kinky Boots, Adam in Children of Eden.
Other Credits: Ant & Dec’s Saturday Night Takeaway (ITV)
Alternate Doc Brown
Theatre includes: Dewey Finn in the West End production of School of Rock, Cal in the Original West End cast of Waitress (Adelphi Theatre), and Roy in Neville’s Island (Queens Theatre Hornchurch). He has also appeared in The Wicker Husband (The Watermill Theatre), Robin Hood (The Egg Theatre, Bath), The Canterbury Tales (UK Tour), Rumpelstiltskin (The Egg Theatre, Bath), One Man, Two Guv’nors (Theatre Royal Haymarket), A Little Hotel on the Side (Theatre Royal Bath), Potted Panto (Vaudeville Theatre), The Secret Garden (Birmingham Rep), Troilus & Cressida (RSC).
Stephen was also involved in performances of a new musical being developed by Andrew Lloyd Webber and Richard Curtis called Unmasked.
Film & Television includes; Silo (Apple TV+), Call the Midwife (BBC) Trigger Point (ITV) Doctors (BBC) County Lines, True Horror: The Witches Prison (Channel Four), Our World War (BBC), The Intern (Boundless/Channel 4) and EastEnders (BBC).
Training: Bird College Conservatoire of Dance and Musical Theatre
Credits whilst training: Sandra Bloom in Big Fish (Doreen Bird Foundation Theatre)
Theatre includes: Frenchy/Understudy Sandy in Grease (Royal Caribbean), Ensemble/Understudy Beauty in Beauty and the Beast (Compass Theatre)
Ella is absolutely thrilled to be making her West End debut in the cast of Back to the Future. She would like to thank her family and friends for their continuous support.
Alex trained at the Leicester College of Performing Arts
Theatre includes: Joe/ Ensemble in 9to5 (Korea), Swing and Assistant Dance Captain in Joseph and the Amazing Technicolour Dreamcoat (UK & Ireland Tour, Toronto), Ensemble in Goldilocks (Birmingham, Crossroads), Swing and Assistant Dance Captain in Joseph and the Amazing Technicolour Dreamcoat (West End), Dwayne and Ensemble in 9 to 5 (West End), Joey Primo, Cover Franz and Cover Stacce Jaxx in Rock of Ages (UK & Ireland tour); Cover Benny Southstreet in Guys and Dolls (Kilworth House Theatre); Beauty and the Beast (De Montfort Hall, Leicester); Starlight Express (Bochum, Germany); Shrek The Musical (UK & Ireland tour); Dick Whittington (Riverfront Theatre, Newport); Chicago (Royal Caribbean Cruise Lines); Snow White and the Seven Dwarfs (Stockport Plaza) and Jack and the Beanstalk (Middlesbrough Theatre).
Instagram & Twitter: @ alexander_day
Training: The Urdang Academy
Theatre includes; Ensemble in Disney's The Lion King (West End), Ensemble in Aladdin (West End), Ensemble/ Onstage Swing in The Bodyguard-Das Musical, Dance Captain/ Ensemble in Cinderella (Qdos Pantomimes), Dance Captain ( P&O Australia).
Film Credits include; Blitz (Apple TV)
TV Credits include; Ensemble in All Star Musical (ITV), Dancer/Drummer in Strictly Come Dancing Launch (BBC), Brian in Sadie J (CBBC), Dancer/Actor in Club HSM: Make It Happen (Disney Channel UK). Ensemble in The Queens Jubilee - The Lion King (ITV)
Workshop Credits include; Ensemble in Mamma Mia 2: Here We Go Again. ‘Residency’ a show for Celebrity Cruises.
Music Videos Credits include 'One wish for Christmas' by Limahl, ‘Chocolat’ by Misunderstood, Big Sick. ‘Crazy Youngsters’ by Ester Dean (from Pitch Perfect 2)
Modelling jobs include Nike, Tropic Skin Care and Goldwell.
Helen trained at Tiffany Theatre College, graduating as Head Girl.
Theatre includes: Doreen, Dance Captain and Swing/1st Cover Annette, Linda and Flo Manero in Saturday Night Fever (Peacock Theatre, London and UK/International tour); Penny/Lead Vocalist in Dirty Dancing In Concert 35th Anniversary (UK Tour - Lionsgate/GEA Live); Tantomile/Understudy Rumpleteaser & Demeter in CATS (RCCL, RUG); Dancer for Thursford Christmas Spectacular; Ensemble in Cinderella (Crossroads - Grand Theatre, Swansea); Ensemble/1st Cover Fairy in Mother Goose (Wilton's Music Hall, London); Dance Captain for The Lincoln Theatre Royal productions of Sleeping Beauty, Jack And The Beanstalk and Robin Hood And The Babes In The Wood.
Screen credits: The Great, Season 3 (Hulu); History Of A Pleasure Seeker (Disney/Hulu); All Star Musicals (ITV); Beauty And The Beast (Walt Disney Productions); Singer in The Alan Titchmarsh Show (ITV).
Commercial campaigns: Go Compare; Dulux - Let's Colour Commercial.
Helen is over the moon to be making her West End debut in Back to the Future and is incredibly grateful to everyone who helped her along the way!
Training: The Urdang Academy
Theatre includes: Alternate Andy Williams/On Stage Swing/Assistant Dance Captain for The Osmonds (UK Tour), Dance Captain/1st Cover Lucas and Pugsley for The Addams Family (UK Tour), Pepe/Swing and Dance Captain* for The Boy Friend (Menier Chocolate Factory and Toronto*), Dance Captain and Assistant Director for Closer to Heaven (Above The Stag), Dance Captain and Assistant Choreographer for Sleeping Beauty (Capitol Horsham), Benjamin for Joseph and the Amazing Technicolour Dreamcoat (Kilworth House Theatre), Dance Captain for Jack and the Beanstalk (Capitol Horsham), Bitelle and Swing for La Cage Aux Folles (UK Tour), Ernst and Dance Captain for Spring Awakening (Finsbury Town Hall and Young Actors Theatre),Tim in The Flowers (Feature Film).
Creative credits include: Choreographer for The Wedding Singer (Emil Dale Academy), Movement Director for The Night Larry Kramer Kissed Me (New Wimbledon Theatre), Choreographer for Spring Awakening (Emil Dale Academy), Choreographer for Kin (Development workshop), Choreographer for Graduate Showcases 2021 - 23 (Emil Dale Academy), Associate Choreographer for Jammy Cruises, Assistant Choreographer for Joseph and the Amazing Technicolour Dreamcoat 2019 (Kilworth House Theatre), Choreographer for MJB Events, Associate Choreographer for Tina: Das Rock Legend (German Tours 2018 and 2019/20), Associate Choreographer for ZipJet Campaign, Choreographer for Bat Boy (Emil Dale Academy), Choreographer for 25th Annual Putnam County Spelling Bee (Urdang), Choreographer for Grad Show 2019 (Urdang), Assistant Director for Bad Girls and Sister Act (Urdang).
Matthew is, along with fellow performer Amy West, proudly co-founder and director of 'MT Swings: Performers Training Programme’ the UK’s only programme dedicated to developing the Swings and Dance Captains of tomorrow.
Training: Arts Educational Schools, London, graduating in 2019.
Theatre includes: Michael Wormwood in Matilda The Musical (Cambridge Theatre) & Lets Face The Music (Royal Albert Hall).
Workshops include: The Boy In The dress (RSC), Dolph in But I'm a Cheerleader (The Other Palace).
Film includes: Matilda The Musical (Working Title / Netflix).
Training: 1st Class BA(Hons) in Musical Theatre Performance at Trinity Laban Conservatoire of Music and Dance.
Credits whilst training: Maurice in Madagascar, Pierce in Kipps:Tthe new Half a Sixpence Musical, Franklin Shepard in Merrily We Roll Along, Lyle in Footloose.
Louis also appeared in Lambert Jackson’s The Secret Garden in concert (London Palladium) as Major Shelly and spent the 2022 Christmas period in the Ensemble of Aladdin (Wolverhampton Grand)
Training: Swaby Dance Centre, Tring Park School for The Performing Arts.
Theatre includes: Drew McOnie’s The Artist (Workshop), Ensemble/Cover Belle in Beauty and the Beast (UK Tour); Ensemble/Latin Dancer in Saturday Night Fever (UK Tour); Jemima/Cover & Rupleteaser/Cover Victoria in Cats (David Ian Productions); Soloist and Principle Roles National Youth Ballet of Great Britain.
Training: Laine Theatre Arts, English National Ballet School & The Hammond
Theatre includes: Ensemble/Cover Judy Haynes in White Christmas (UK Tour 2022), Chastity/First Cover Hope Harcourt in Anything Goes (Barbican Theatre, London 2022/UK & Ireland Tour), Aladdin in Aladdin, Jordan Productions Ltd (Gordon Craig Theatre), Chastity in Anything Goes (The Barbican Theatre, London 2021), Swing/First Cover Bombalurina/Demeter/Jemima in CATS (International Tour 2019/20), Cinderella (Orchard Theatre,Dartford), Ensemble/First Cover Margot in Legally Blonde (UK & Ireland Tour), Polly/Ensemble in Funny Girl (UK & Ireland Tour), Bombalurina in CATS (Royal Caribbean International), Spirit of the Dance (Hall For Cornwall), Snow White (Bristol Hippodrome),Peasant Girl in Giselle (Birmingham Royal Ballet), Singer/Dancer for P&O Ventura & Azura
Film Includes: Anything Goes by Cole Porter at The Barbican, Chastity – Angel (Broadway HD), Funny Girl, Polly/Ensemble (Digital Theatre)
Theatre includes: Ensemble in Back To The Future (Adelphi Theatre); Beauty in Sleeping Beauty (Kings Theatre, Edinburgh); Ensemble in The Bodyguard (UK Tour); Sally in Pack of Lies (Menier Chocolate Factory); Kiki in Flashdance (UK Tour); Ensemble in We Will Rock You (Live Nation/Langkaer Entertainment).
Additional Credits: Barbie (Warner Brothers); All Star Musicals (ITV); Roll Your Sleeves Up Vaccine Commercial (Scottish Gov).
Sia would like to thank her friends and family for their continuous love and support. She dedicates this performance to her Nana, Rene and her Mum, Liz.
Training: The Urdang Academy
Theatre includes Beautiful: The Carole King Musical (UK Tour), The Wiz (Hope Mill Theatre, Manchester), Grease- The Musical (UK Tour), Puss In Boots (Belgrade Theatre, Coventry)
Credits whilst training include Tyrone Jackson in Fame- The Musical
Other Credits include Lead Boy in ‘Twist’ Saul Nash AW21, Dancer in Eliza Legzdina- Backflip, Dancer in MK- 2am.
Training: Musical Theatre (BA Hons) Arts Ed in London.
Theatre includes: Fiddler On The Roof, Menier Chocolate Factory & The Playhouse Theare; Trioperas, Peacock Theatre; Mary Poppins, UK Tour; Cosmo Brown in Singin’ in the Rain, Kilworth House; Cameron Mackintosh’s Barnum, UK tour; ensemble in the critically acclaimed production of Guys and Dolls at Chichester’s Festival Theatre; ensemble in White Christmas at Edinburgh Playhouse, cover Cosmo Brown in Singin’ in the Rain, Palace Theatre; Swing in Cats European Tour, Swing in Berlin’s production of Dirty Dancing, Ensemble in the UK tour of White Christmas. Adam's West End debut was in Dirty Dancing at the Aldwych Theatre where he understudied and played Neil Kellerman. Credits at college include Pirates Of Penzance, Jimmy in Thoroughly Modern Millie and Ethan in The Full Monty. Adam appeared in Children Will Listen the 75th Birthday Gala for Stephen Sondheim at the Theatre Royal Drury Lane, and Follies in concert at the Palladium.
Further credits include: Aldi commercial, McDonalds ‘Steel Drums’ commercial, Prophecy workshop, Heaven on Earth workshop, dancer in the Carmen Nebel Show, James and the Narrator in a workshop for Moments, a new musical at the Chichester Festival Theatre, Starkey the Pirate (understudy Captain Hook) in Peter Pan, Ensemble in BBC’s Britain at War, A Nation Remembers.
Training: The Hammond
Theatre includes: Ensemble / Cover Rudolpho, Matilda The Musical, (Cambridge Theatre, London); LA / Ensemble, Gypsy, (Royal Exchange Theatre, Manchester); Ensemble / Cover Rudolpho / Cover Doctor / Cover Escapologist / Cover Sergei, Matilda The Musical, (Cambridge Theatre, London); Swing, Mary Poppins, (International Tour); Skimbleshanks / Assistant Dance Captain / Cover Munkustrap, Cats, (Royal Caribbean / Really Useful Group); Harry, Chicago Das Musical, (Palladium Theater, Stuttgart); Ensemble / Cover Amos Hart, Chicago The Musical, (Royal Caribbean / NAMCO)
Television & Film Include: Ensemble, Mary Poppins, (Ant & Dec’s Saturday Night Takeaway); Dancer, Matilda The Musical, (Netflix Workshops); Featured Dancer / Jimmy Carr Double, 8 Out Of 10 Cats Does Countdown, (Channel 4 / Endemol)
Cast Recordings: Chicago Das Musical
Bryan is thrilled to be joining Back to the Future and would like to thank his family, friends and girlfriend for their continued support.
Laura trained at Elmhurst School of Dance & Performing Arts.
Theatre includes: Back To The Future (Manchester Opera House), Dick Whittington (Hackney Empire); Legally Blonde the Musical (UK/Ireland Tour); UK/European Premiere of Big the Musical (Plymouth Theatre Royal/Bord Gáis Energy Theatre); Cathy/1st Cover Gemma in UK Premiere Jackie the Musical (UK Tour); Singin’ in the Rain (Kilworth House) and The Merry Widow (London City Opera, US tour).
As Choreographer: Made in Dagenham (Waterside Theatre, Manchester); Aladdin (Harlington Theatre, Fleet) and Various productions onboard Crystal Cruises (Worldwide Entertainment).
Other credits include: Fait Accompli (Directed by Baz Luhrmann & Rob Ashford) and the first choreography workshop for Back to the Future The Musical.
Cast Recordings: Big The Musical (Original UK Cast) and Back to the Future The Musical (Original Cast).
Laura was part of the original cast for the World Premiere of Back to the Future at Manchester Opera House as well as an original West End cast member. She is delighted to be staying with the show as Resident Choreographer.
Training: Italia Conti Academy of Performing Arts
Theatre includes: Swing in Back to the Future (Adelphi); Ensemble/Dance Captain/U/S Snow White in Snow White (Swansea Grand); Ensemble/Dance Captain/U/S in Cinderella (Swansea Grand); Ensemble in Classical Spectacular (The Royal Albert Hall); Ensemble/Cover Jan, Miss Lynch & Patty in Grease (UK Tour); Ensemble/Cover Young Jackie & Cathy in Jackie - The Musical (UK Tour); Wendy in Peter Pan (UK Productions); Princess in Sing-A-Long-A- Frozen (Tour); Dancer in Jingle Bell Christmas (The Royal Albert Hall); Thea in Spring Awakening (The Broadway Theatre); Consuelo in West Side Story (The Sage, Gateshead).
Film & Television credits include: Northern Soul (Stubborn Heart Productions); Harry Potter and the Deathly Hallows: Part II (Warner Brothers); The Entire Universe (BBC); Choreographed on The Only Way Is Essex.
Other credits include: Featured Dancer for PLAN B - LIVE (O2 Arena).
Anna would like to thank her family and agent Alex for their continued love and support.
Training: The Boston Conservatory of Music
Theatre includes: u/s Cinderella in Cinderella (Gillian Lynne Theatre); Carmen Diaz in Fame (UK Tour/Troubadour Wembley Park)
US Theatre Credits: u/s Ellen in Miss Saigon (Diablo Light Opera); Olive Ostrovsky in 25th Annual Putnum County Spelling Bee (Alabama Shakespeare Festival); Ellie in Some Enchanted Evening (Cape Playhouse); Kathy Seldon in Singin’ in the Rain, Natalie in All Shook Up and Jill in Equus (Forestburgh Playhouse).
Other: Lead Vocalist for Celebrity Cruise Lines & Aida Cruise Lines.
Georgia would like to thank her family and friends for their continuous love and support!
Tavio trained at Arts Educational School.
Theatre includes: Swing in Back to the Future (Adelphi Theatre); Booker T.Washington in Ragtime (ArtsEd); Skimbleshanks in Cats (ArtsEd).
Bob Gale is an Oscar®-nominated Screenwriter-Producer-Director, best known as co-creator, co-writer and co-producer of Back to the Future and its sequels. Gale was born and raised in St Louis, Missouri, and graduated Phi Beta Kappa with a BA in Cinema from the University of Southern California in 1973, where he met and began his association with his longtime collaborator, Robert Zemeckis.
Gale has written or co-written over 30 screenplays and his other film credits include 1941, I Wanna Hold Your Hand, Used Cars, Trespass and Interstate 60, the last of which he also directed. In addition to his film and television work, and being the ‘Gatekeeper’ for the BTTF franchise, Gale has written comic books including Spider-Man, Batman and IDW’s Back to the Future title, thus proving to his father that he did not waste hours and hours reading comics in his youth. He has given talks on screenwriting in colleges across the USA, and enjoys meeting fans at comic conventions and Back to the Future events. He has also served as an expert witness in over 25 plagiarism lawsuits, even though this has occasionally required him to wear a suit and tie. When he’s not in production, writing, or wasting time on the internet, he actually does take out the trash, even when his wife doesn’t ask (well, sometimes he does). Gale lives in California with his wife and dog. Back to the Future the Musical is his first foray into writing for the stage.
ROBERT ZEMECKIS won an Academy Award©, a Golden Globe and a Director’s Guild of American Award for Best Director for the hugely successful and popular Forrest Gump. The film’s numerous honors also included a Best Picture Oscar and for Tom Hanks, a Best Actor Oscar.
Early in his career, he co-wrote with Bob Gale and directed Back to the Future, which was the top-grossing release of 1985, and for which Zemeckis shared Oscar and Golden Globe nominations for Best Original Screenplay. He then went on to helm Back to the Future, Part II and Part III, completing one of the most successful film franchises in Motion Picture history.
Zemeckis has continued to bring an impressive number of popular films to the screen including the comedies Used Cars and I Wanna Hold Your Hand, the romantic adventure Romancing The Stone starring Michael Douglas and Kathleen Turner and the macabre comedy hit Death Becomes Her starring Meryl Streep, Goldie Hawn and Bruce Willis.
He also directed Who Framed Roger Rabbit, cleverly blending live action and animation in a feature film, resulting in a worldwide box office smash.
Zemeckis re-teamed with Hanks directing and producing the contemporary drama Cast Away which opened to critical and audience acclaim.
He directed and produced Contact, starring Jodie Foster, based on the best-selling novel by Carl Sagan. He also co-wrote and directed the motion capture film The Polar Express, starring Tom Hanks as a charming train conductor taking children on a magical adventure to the North Pole.
Zemeckis produced and directed his second motion capture film, Beowulf which starred Anthony Hopkins and Angelina Jolie, based on one of the oldest surviving pieces of Anglo-Saxon literature, written before the 10th Century A.D. He released another advanced motion-capture film: A Christmas Carol, based on the celebrated and beloved classic story by Charles Dickens which he both wrote and directed for The Disney Studios.
Zemeckis returned to live action direction with the critically-acclaimed dramatic feature film Flight, for Paramount Pictures starring Denzel Washington. Under the direction of Zemeckis, Washington received an Academy Award nomination for the role.
For The Walk, he directed Joseph Gordon-Levitt and Ben Kingsley in the story of French high-wire artist Philippe Petit’s 1974 attempt to cross the Twin Towers of the World Trade Center.
He then directed the romantic thriller Allied starring Brad Pitt and Marion Cotillard, telling the compelling story of the relationship between a Canadian Intelligence Officer and a French Resistance Fighter against the backdrop of WWII in North Africa in 1942.
Along with Caroline Thompson Zemeckis wrote the screenplay for Welcome to Marwen, which he directed for Universal Pictures. The film starred Steve Carell as artist Mark Hogancamp who created a miniature WWII-era village as a way to recover from a violent assault. He then directed The Witches for Warner Bros. Studios.
Zemeckis produced such films as The Frighteners, Monster House, Last Holiday, and as a producer brought the true life story of The Prize Winner of Defiance, Ohio starring Julianne Moore and Woody Harrelson to the big screen.
Along with Bob Gale, Zemeckis co-wrote Trespass. He and Gale previously wrote 1941, which began a long-time association with Steven Spielberg.
For his present directorial effort, Zemeckis has completed Pinocchio which he co-wrote for the Disney Studios. The film is currently on Disney+
In 1998 Zemeckis, Steve Starkey and Jack Rapke partnered to form the ImageMovers, a production company dedicated to telling character-driven stories across many genres for film and television incorporating into their both cutting-edge and innovative digital technology
For the small screen, his television directing credits include episodes of Spielberg’s Amazing Stores and HBO’s Tales From the Crypt. He serves as Executive Producer on Medal of Honor, for Netflix and also Executive Produces on Blue Book for the History Channel and Executive Produces on Manifest for NBC and Warner Bros. Studios.
In March 2001, the USC School of Cinema-Television celebrated the opening of the Robert Zemeckis Center for Digital Arts. This state-of-the-art center is the country’s first and only fully digital training center and houses the latest in non-linear production and post-production equipment as well as stages, a 50-seat screening room and USC student-run television station, Trojan Vision.
Presently Zemeckis is on location in England filming Here for Miramax and Sony Pictures Studios. The film will have a Fall 2023 release.
MUSIC AND LYRICS
In his ongoing, decades-long career as a composer, Alan Silvestri has blazed an innovative trail with his exciting and melodic scores, winning the applause of Hollywood and movie audiences the world over. With a credit list of over 100 films, Silvestri has composed some of the most recognisable and beloved themes in movie history. His efforts have been recognised with two Oscar® nominations, two Golden Globe nominations, four Grammy® awards, two Emmy® awards, and numerous International Film Music Critics Awards, Saturn Awards, and Hollywood Music In Media Awards.
Born in New York City and raised in Teaneck, New Jersey, Silvestri first dreamed of becoming a jazz guitar player. After attending the Berklee School of Music in Boston, he hit the road as a performer and arranger. Landing in Hollywood at the age of 22, he found himself successfully composing the music for 1972’s The Doberman Gang which established his place in the world of film composing. The 1970s witnessed the rise of energetic synth-pop scores, establishing Silvestri as the action rhythmatist for TV’s highway patrol hit CHiPs. This action-driven score caught the ear of a young filmmaker named Robert Zemeckis, whose 1984 hit film, Romancing the Stone, was the perfect first date for the composer and director. Its success became the basis of a decades- long relationship that continues to this day. Their numerous collaborations have taken them through fascinating landscapes and stylistic variations, from the Back to the Future trilogy to Toontown in Who Framed Roger Rabbit?, the tension of What Lies Beneath and Death Becomes Her, to the cosmic wonder of Contact; the emotional isolation of Castaway, to the magic of The Polar Express, to Zemeckis’ 1994 Best Picture winner, Forrest Gump, for which Silvestri’s gift for melodically beautiful themes earned him an Oscar and Golden Globe nomination. This 38-year, 21-film collaboration includes such recent films as Flight, Allied and The Witches based on Roald Dahl’s 1973 classic book. Zemeckis and Silvestri are currently working on Walt Disney’s Pinocchio starring Tom Hanks, which is scheduled for release in September of 2022.
Though the Zemeckis/Silvestri collaboration is legendary, Silvestri has scored films of every imaginable style and genre. His energy has brought excitement and emotion to the hard-hitting orchestral scores for Steven Spielberg’s Ready Player One, James Cameron’s The Abyss as well as Predator 1 and 2 and The Mummy Returns. Alan’s diversity is on full display in family entertainment films such as The Father of the Bride 1 and 2, The Parent Trap, Stuart Little 1 and 2, Disney’s Lilo and Stitch, The Croods as well as Night at the Museum 1, 2 and 3 while his passion for melody fuels the romantic emotion of films like The Bodyguard and What Women Want.
In 2018-19 Alan composed the music for Marvel’s Avengers: Infinity War and Avengers: Endgame. These films are the culmination of a partnership with Marvel that began in 2011 with his dynamically heroic score for Captain America: The First Avenger followed by The Avengers in 2012. Alan’s collaboration with Marvel helped propel The Avengers: Infinity Saga to spectacular worldwide success.
Silvestri’s success has also crossed into the world of song writing. His partnership with six-time Grammy Award-winner Glen Ballard has produced hits such as the Grammy-winning and Oscar- nominated song ‘Believe’ (Josh Groban) for The Polar Express, ‘Butterfly Fly Away’ (Miley Cyrus) for Hannah Montana The Movie, ‘God Bless Us Everyone’ (Andrea Bocelli) for A Christmas Carol and ‘A Hero Comes Home’ (Idina Menzel) for Beowulf. In addition to Back to the Future the Musical, Alan and Glen continue their long collaboration with new songs for the upcoming Robert Zemeckis production Pinocchio for Disney, scheduled for release in September 2022.
MUSIC AND LYRICS
Six-time Grammy Award®-winner Glen Ballard is one of popular music’s most accomplished producers and songwriters, whose records have sold more than 150 million copies worldwide. In 2023 Ballard was selected to be inducted into the Songwriters Hall of Fame. Through his Los Angeles-based production company, Augury, Ballard is developing a diverse slate of projects in which music plays a central role. Ballard’s most recent project is Netflix’s The Eddy: a music-driven multicultural drama about a jazz band trying to survive in chaotic modern-day Paris, which debuted in May 2020. Ballard wrote and composed original songs and music for the limited series and served as an executive producer, alongside Damien Chazelle, Jack Thorne, and Alan Poul. Augury is a producer of the stage adaptation of 1985’s Back to the Future having worked on the project’s development for more than 14 years
Ballard wrote original lyrics and music for Ghost the Musical, which debuted in 2011 and has since been touring worldwide. Ballard is writing songs for the stage version of the 1979 movie The Rose, to be produced by Gail Berman, Michael Gorfaine and Sam Schwartz in association with Augury. Ballard produced and co-wrote Alanis Morissette’s Jagged Little Pill (33 million worldwide, four Grammys, and named Best Album of the Decade by Billboard magazine), and in 2019 a musical called Jagged Little Pill featuring all of the songs from the album debuted on Broadway. Directed by Diane Paulus with a book by Diablo Cody, the musical Jagged Little Pill was nominated for 15 Tony Awards in 2020.
Ballard has written and produced songs for Quincy Jones, Aretha Franklin, Barbra Streisand, Dave Matthews, Shakira, Katy Perry, Idina Menzel, George Benson, Ringo Starr, George Strait, Wilson Phillips, Van Halen, Chaka Khan, Patti Austin, Al Jarreau, Andrea Bocelli and many others.
His production credits include producing and arranging records for Annie Lennox, No Doubt and POD. Ballard co-wrote and arranged ‘Man in the Mirror’ for Michael Jackson and co-wrote and produced the Grammy winning and Oscar-nominated song ‘Believe’ (Josh Groban) for the feature film The Polar Express. His work in film includes writing original songs for Charlotte’s Web, Beowulf, The Croods, The Mummy’s Return, and Disney’s live-action Pinocchio.
Olivier Award winning producer Colin Ingram has worked in the theatre industry for 28 years with some of the world’s leading producers, directors, designers and writers. He currently produces three shows on the West End: Back to the Future the Musical at the Adelphi Theatre and Grease at the Dominion Theatre and will open Time Traveller’s Wife – The Musical this October at the Apollo Theatre. Back to the Future opened at the Winter Garden Theatre on Broadway this June.
It won Best New Musical at the Olivier Awards (after seven nominations), What’sOnStage Award and Broadwayworld.com and the London Lifestyle Award for Best Theatre Show. Colin also produced Ghost the Musical, which has been staged in 22 countries in 14 languages in over 30 productions, including West End and Broadway. It was nominated for five Olivier Awards and three Tony® Awards and won Best Musical at the Manchester Theatre Awards.
He was Executive Producer of the multi Tony and Olivier-Award winning Billy Elliot the Musical in the West End and consulted on the Broadway and Australian productions.
He also lead-produced Breakfast at Tiffany’s on Broadway and twice in the West End, and on the UK tour with these productions starring Emilia Clarke, Anna Friel and Pixie Lott. It won a Broadway.com award for Best Play.
Prior to becoming an independent producer, Colin worked for Cameron Mackintosh for six years, general-managing Les Misérables, The Phantom of the Opera, Oklahoma! (starring Hugh Jackman), The Witches of Eastwick and the Les Misérables 10th anniversary concert at the Royal Albert Hall. He then joined Disney Theatrical Productions to be UK Managing Director overseeing the London office and the productions of The Lion King, Beauty and the Beast and other shows in development. Colin then joined the Old Vic as Executive Producer and produced Hamlet starring Ben Whishaw, Aladdin starring Ian McKellen, and Richard II, The Philadelphia Story and National Anthems.
He then produced the Billy Joel/Twyla Tharp musical Movin’ Out in the West End, and co-produced Gone with the Wind directed by Trevor Nunn.
In 2016, Colin joined Madison Square Garden Entertainment as Executive Vice President of Productions. At Radio City, he produced the New York Spectacular starring the Radio City Rockettes – a major undertaking involving over 350 cast, crew and musicians – and produced the 2016 Christmas Spectacular starring the Radio City Rockettes, achieving the highest revenue in its 85-year history. Colin was a non Executive Director of the Royal Edinburgh Military Tattoo and is the proud founder of the Edinburgh University Footlights now in its 34th year.
In 2020, John Rando directed the world premiere of Back to the Future at the Manchester Opera House. He won the 2002 Best Director Tony Award® and Outer Critics Circle Award for Urinetown the Musical.
Other Broadway credits include: On the Town (Tony nomination for Best Revival and Best Direction), the Tony- nominated Best Musicals A Christmas Story, The Wedding Singer, Penn & Teller, A Thousand Clowns, Dance of the Vampires, Getting the Band Back Together and Neil Simon’s The Dinner Party.
Concert productions include: The New Yorkers, High Button Shoes, It’s a Bird It’s a Plane It’s Superman, Annie Get Your Gun, Gentlemen Prefer Blondes, Damn Yankees, Face the Music, Of Thee I Sing, The Pajama Game, Do Re Mi and Strike Up the Band (all for City Center Encores!)
Off-Broadway credits include: Jerry Springer the Opera (The New Group), David Ives’s The Heir Apparent (Classic Stage Company – 2014 SDCF Callaway Award for Direction) and David Ives’s All in the Timing (2013 Obie Award for Direction). Internationally, John’s work can be seen in China with two original musicals: Jay Chou’s The Secret and Spirit of Life – The Jonathan Lee Musical.
Tim has designed extensively for The National Theatre, West End and Broadway. Winner of three Olivier Awards, four Drama Desk Awards and three Tony Awards, most recently for Set and Costume Design for Life of Pi.
Recent work includes Life of Pi (West End and Broadway), Back to the Future (West End), Dreamgirls (West End & UK Tour), The Bodyguard (West End/UK Tour/US Tour/ Cologne/Korea) Travesties (Menier Chocolate Factory/ West End/Broadway), Ghosts (Almeida/ West End/ BAM), Little Eyolf (Almeida), Temple (Donmar), Enemy of the People & Pyjama Game (Chichester), Mr. Foote’s Other Leg (Hampstead/ West End), Shrek (West End/ Broadway/UK Tour/US Tour), Spamalot (West End/ Broadway/ US Tour/Vegas), Singin’ in the Rain & My Fair Lady (Chatelet Paris), Carmen & Don Quixote (The Royal Ballet).
Film credits include Closer, Notes on a Scandal, Stage Beauty. www.timhatley.com
Recent credits include: Gettin’ the Band Back Together (Broadway), Jerry Springer the Opera (The New Group, Chita Rivera Award nominee), The New Yorkers (NY City Center Encores!), 1776 (NY City Center Encores!), The Entertainer with Kenneth Branagh (West End), Assassins (Menier Chocolate Factory), Cyrano de Bergerac (Broadway), A Little Night Music (Stratford) and Because of Winn Dixie (Goodspeed).
Chris choreographed the historic opening number of the 2013 Tony Awards® and served as Associate Choreographer numerous times for the Academy Awards®.
MUSICAL SUPERVISOR, VOCAL AND MUSIC ARRANGEMENTS
Nick is the Musical Supervisor & Arranger The Time Traveler’s Wife, the UK Musical Supervisor for The Book Of Mormon London and the Associate Musical Supervisor for Mamma Mia! London.
Previous work includes;
Musical Supervisor: Dreamgirls – London (& Conductor) & UK Tour, The Book Of Mormon UK Tour, Memphis – London, Avenue Q UK Tour, Les Miserables UK Tour. Associate Musical Supervisor for Jersey Boys London, Musical Supervisor and Arranger for Dancing Shadows - Seoul, South Korea.
Musical Director: The Book Of Mormon – London, Jersey Boys - London, Avenue Q - Noel Coward Theatre, Victoria Wood’s musical Acorn Antiques - Theatre Royal Haymarket, Mamma Mia! – London, Tonight’s The Night - Victoria Palace, Tell Me on a Sunday - Gielgud Theatre, Rent - Shaftesbury Theatre, Stairway to Heaven - Kings Head and Kiss Me Kate - Norwich Playhouse and the BAFTA nominated film Tomorrow La Scala!
Recordings: Co-Producer & Musical Supervisor – The Time Traveler’s Wife & Back To The Future Original London cast albums, Musical Supervisor: Dreamgirls London cast album, Memphis London cast album. Musical Director: Acorn Antiques and Tell Me on a Sunday London cast albums.
He graduated from the Guildhall School of Music and has a postgraduate diploma in Advanced Instrumental Studies (Piano).
Tony and two-time Olivier Award winner.
Broadway: Life Of Pi.
Select West End: The Crucible, Back To The Future, Fiddler On The Roof, Noises Off, Strangers On A Train, Close To You, The Full Monty, Present Laughter, Chimerica, Quiz, Lungs, A Number, Elf, Big.
National Theater: Under Milk Wood, Anthony and Cleopatra, Les Blancs, Jack Absolute Flys Again.
Hugh has worked extensively in the West End and on Broadway, lighting over 200 productions worldwide and receiving many accolades for his work including three Olivier Awards, two TONY awards and a Molière.
Hugh is an associate artist at The Old Vic.
He has won two Olivier’s, a Tony and three Drama Desk’s & four What’s on Stage Awards.
Theatre: Tammy Fey, Spring Awakening (Almeida); My Neighbour Totoro (RSC); Dancin (Broadway); Back to the Future (West End, Broadway); Frozen (Westend) Les Miserables (International); Sweet Charity (Donmar), (Broadway); Mean Girls (Broadway), Bat out of Hell (Westend and International), Harry Potter and the Cursed Child (Westend & Broadway), Curious Incident of the Dog in the Night-Time (Broadway/West End/Tour); Jagged Little Pill, In the Body of the World (American Reparatory Theatre & Broadway); American Psycho (Broadway & Almedia); Betrayal (Broadway); Chimerica (Almeida & West End); The Tempest (The RSC & Barbican); Master and Margarita, All My Sons, Shunkin (Complicite)
Opera: The Hours (The Met);The Rise and Fall of the City of Mahagonny (Royal Opera House); Missa Solemnis (LA Phil); Benvenuto Cellini, Death of Klinghoffer, Death in Venice, Damnation of Faust, Don Giovanni, (ENO); Hänsel und Gretel, Zäuberflote, A Dog’s Heart (DNO, Amsterdam); La clemenza di Tito, Mr Brouček (Opera North); Les Pêcheurs de Perles, Béatrice et Bénédict, Turn of the Screw (Theatre an der Wien); Rinaldo, (Glyndebourne);
Dance: Cinderella (The Royal Ballet), Anna Karenina (The Joffrey Ballet); The Nutcracker (Atlanta Ballet); The Feeling of Going (Skånes Dansteater and Malmö Opera)
Upcoming highlights include: Michael Jackson’s MJ (world premiere), The Who’s Tommy revival on Broadway, Andrew Lloyd Webber’s Cinderella (world premiere) and Steven Spielberg’s Back to the Future (world premiere) in the West End.
Sound design awards include: Olivier Award, Outer Critics Circle Award, Broadway World Award, Green Room Award, Dora Award, Craig Noel Award and WhatsOnStage Award for Come From Away; Olivier Award for Memphis; Olivier Award for Merrily We Roll Along; Tony Award® nomination for A Little Night Music; Tony nomination for End of the Rainbow; Olivier nomination for Bat Out of Hell; Olivier nomination for Top Hat; Olivier nomination for End of the Rainbow; and the Pro Sound Award for Sound Engineer of the Year.
West End musical design includes: The Prince of Egypt, & Juliet, Come From Away, Bat Out of Hell, Joseph and the Amazing Technicolor Dreamcoat, Strictly Ballroom, 42nd Street, Young Frankenstein, Wind in the Willows, Mrs Henderson Presents, Memphis, I Can’t Sing!, In the Heights, Top Hat, Merrily We Roll Along, End of the Rainbow, Sweet Charity, A Little Night Music, Carousel, Little Shop of Horrors and La Cage aux Folles.
International design includes: Diana (Broadway), Summer (Broadway), Come From Away (Broadway), A Bronx Tale (Broadway), Disney’s Hunchback of Notre Dame (worldwide), Spring Awakening (Broadway), Disney’s Little Mermaid (worldwide), End of the Rainbow (Broadway), Disney’s Beauty and the Beast (worldwide), A Little Night Music (Broadway), The Secret Garden (New York), Clueless (New York), Sister Act (worldwide) and Starlight Express (Bochum, Germany).
Chris Fisher is a member of The Magic Circle. He works worldwide as International Illusions and Magic Associate for Harry Potter and the Cursed Child.
Theatre credits as Illusion Consultant include: Charlie and the Chocolate Factory (Leeds Playhouse and UK Tour); The Time Traveller’s Wife (Chester Storyhouse); Back To The Future: The Musical (Adelphi); 2:22 A Ghost Story (Apollo, Lyric, Criterion, Gielgud & Noel Coward); The Lion, The Witch and The Wardrobe (Gillian Lynne); The Prince of Egypt (Dominion); Wicked Das Musical (Neue Flora Theatre, Hamburg); Company (Bernard B. Jacobs Theatre, NY & Gielgud); Merlin (Northern Ballet); Bedknobs and Broomsticks (UK tour); Big The Musical (Dominion); Peter Gynt, Julie, Here We Go, Treasure Island (National Theatre); Angels in America (National Theatre & Broadway); Macbeth (RSC, Swan Theatre & Barbican); Titus Andronicus (RSC), Barnum (Menier Chocolate Factory); The Hypocrite (Hull Truck Theatre/RSC, Swan Theatre); No Man’s Land (Wyndham’s); Into the Woods, The Skriker (Royal Exchange)
Ethan is a Grammy Award nominated music producer as well as an Olivier Award and two-time Tony Award nominated orchestrator. With a career spanning over the last two decades, his work as a music supervisor, arranger, orchestrator and music producer has been seen and heard worldwide. Theatre: Back To The Future (2022 Olivier Award Nomination – Best Original Score Or Orchestrations), Mrs. Doubtfire, Tina: The Tina Turner Musical (2021 Tony Award Nomination – Best Orchestrations), School of Rock (2016 Tony Award Nomination – Best New Musical), Hedwig And The Angry Inch (2015 Tony Award Winner – Best Revival of a Musical), Motown The Musical (2013 Tony Award Nomination – Best Orchestrations & 2014 Grammy Award Nomination – Best Musical Theatre Album), Rock of Ages (2008 Tony Award Nomination – Best New Musical), Disney’s Tarzan, We Will Rock You, Disney’s Aida, Disney’s The Lion King, Mamma Mia! and more. Television: Ethan has served as a composer, music producer, arranger and orchestrator on works from NBC/Universal’s “Smash” and HBO’s “Last Week Tonight with John Oliver.” Film: His work on the big screen can be heard most notably as Music Director and Music Production Supervisor for 20th Century Fox’s “The Greatest Showman” starring Hugh Jackman, and as vocal and piano coach to Academy Award winner Rami Malek in his starring role in Bohemian Rhapsody. www.ethanpopp.com
Bryan Crook is a Tony®-nominated orchestrator, producer, songwriter, composer, arranger and multi-instrumentalist for Broadway, TV and film. In addition to playing woodwinds for The Book of Mormon on Broadway, his work can be heard on the Grammy®-nominated cast album for Motown the Musical, Ice Age 4, Smash (NBC), the Grammy Awards, the Tony Awards, the Emmy Awards, and the Billboard Music Awards.
Theatre credits include: Motown the Musical, The Book of Mormon, First Date, Legally Blonde, West Side Story, Billy Elliot, Mamma Mia! among many others.
He has scored for many rock acts including Lamb of God, Too Late the Hero, Black Tide and Alex Skolnick. His most important credits, however, are as a husband to Hilary and father to Liam, Ethan and Henry.
Theatre includes: Sinatra, Back to the Future, Grease, Elf, Time Travellers Wife, Into the Woods, Waitress, Only Fools and Horses, Mamma Mia! (worldwide), Mamma Mia! The Party, Magic Mike Live, Matilda (adult casting), 42nd Street, Bat Out of Hell, Five Guys Named Moe, Ghost, Our House, Sweet Charity (Donmar Warehouse), Groundhog Day, Jekyll & Hyde (Old Vic), Chicago, Shrek, Grease, Priscilla Queen of the Desert, Mrs Henderson Presents, Fat Friends, The Commitments (UK tour), Man of La Mancha, Chess, Carousel, Sunset Boulevard, Sweeney Todd, On the Town, Kismet (ENO), Evita, Jesus Christ Superstar, Hello Dolly, Crazy for You (Regent’s Park Open Air), My Fair Lady, Oklahoma, Kiss Me Kate, West Side Story, On the Town (BBC Proms/John Wilson) Guys and Dolls, My Fair Lady, A Chorus Line, Ain’t Misbehavin’, Oliver ,Sweet Charity (Crucible Theatre, Sheffield), My Fair Lady, Candide, 42nd Street, Singing in the Rain, Kiss Me Kate (Châtelet, Paris), The Beggars Opera (Théâtre des Bouffes du Nord, Paris) and Guys and Dolls (Théâtre Marigny, Paris).
For Andrew Lloyd Webber: The Likes of Us, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, By Jeeves, Evita, Tell Me on a Sunday, Cats, Starlight Express, The Phantom of the Opera, Aspects of Love, Sunset Boulevard, Whistle Down the Wind, The Beautiful Game, Bombay Dreams, The Woman in White, The Sound of Music, Love Never Dies, The Wizard of Oz, Stephen Ward, School of Rock, Unmasked and Cinderella.
Musical Ensemble Casting- Greatest Days, Matilda, Mamma Mia! Here We Go Again, Beauty and the Beast, Aladdin, Mamma Mia!
UK Dancer Casting - Mary Poppins Returns and Nine and Casting Director: The Phantom of the Opera.
Television includes: Mamma Mia! I Have A Dream, Sound of Music Live (2016 BAFTA Award), Superstar, Over the Rainbow, I’d Do Anything, Any Dream Will Do, How Do You Solve A Problem Like Maria (2007 Emmy Award), Kombat Opera presents... (2008 Golden Rose Montreux Award), Hollyoaks and West End Star (TV3 Sweden).
Awards: Casting Directors Guild Award for Best Musical Casting 2022 – Back to the Future.
David is also proud to be Associate Artist at Old Vic, Trustee Watermill Theatre, Newbury, Trustee Council Dance & Musical Theatre, Vice President Arts Educational School.
GBC Casting Directors: Will Burton, Stephen Crockett
GBC Casting Associate: Amy Beadel
GBC Casting Assistant: Will Burry
Maurice is co-founder of the French stuntmen team, Cascade, which was created in 1997. He has been a stunt performer for more than 20 years and a fight choreographer/stunt co-ordinator specialising in live shows for more than 10 years.
Stunt work includes: Season 4 of Jack Ryan, John Wick 4 by Chad Stahelski, Astérix et Obelix: l’Empire du Milieu by Guillaume Canet, 355 by Simon Kinberg, Fox Hunt by Leo Zhang, City Hunter by Philippe Lacheau, Spectre – Bond 24 by Sam Mendes, Lucy by Luc Besson, From Paris with Love by Pierre Morel, District 13 Ultimatum by Patrick Alessandrin, Unleashed by Louis Leterrier and more.
Fight choreographer/stunt co-ordinator work includes: Back to the Future The Musical on Broadway, Marvel Super-heroes United at Disneyland Paris, Stark Expo at Disneyland Paris, The Pirates Live Show at Aquarium de Paris, Cascade Shows for Canadian National Exhibition/France’s Got Talent/Britain’s Got Talent/Arab’s Got Talent and more. Currently working on the new Marvel Land: The Avengers Campus at Disneyland Paris as Stunt Coordinator and Fight Director. Fight Choreography Coach at the French Stunt School Campus Univers Cascades since 2015.
DAVID GRINDROD ASSOCIATES CDG
DAVID GRINDROD ASSOCIATES CDG
Theatre also includes:
Back to the Future, Waitress, Only Fools & Horses, Mamma Mia! (worldwide), Mamma Mia! The Party, Magic Mike Live, Matilda (Adult casting), 42nd Street, Bat Out of Hell, 5 Guys Named Moe, Ghost, Our House, Sweet Charity (Donmar), Local Hero, Groundhog Day, Jekyll & Hyde (Old Vic), Chicago, Shrek, Grease, Priscilla Queen of the Desert, Mrs Henderson Presents, Fat Friends, The Commitments (UK Tour), Man of La Mancha, Chess, Carousel, Sunset Boulevard, Sweeney Todd, On the Town, Kismet (English National Opera), Evita, Jesus Christ Superstar, Hello Dolly, Crazy for You (Regent’s Park Open Air Theatre). My Fair Lady, Oklahoma, Kiss Me Kate, West Side Story, On the Town (BBC Proms/ John Wilson) Guys & Dolls, My Fair Lady, A Chorus Line, Ain’t Misbehavin, Oliver, Sweet Charity (Crucible Theatre, Sheffield), My Fair Lady, Candide, 42nd Street, Singing in the Rain. Kiss Me Kate, On the Town (Chatelet, Paris) The Beggars Opera (Theatre des Bouffes du Nord, Paris), Funny Girl, Guys and Dolls (Theatre Marigny, Paris).
For Andrew Lloyd Webber:
The Likes of Us, Joseph and the Amazing Technicolor Dreamcoat, Jesus Christ Superstar, By Jeeves, Evita, Tell Me on a Sunday, Cats, Starlight Express, The Phantom of the Opera, Aspects of Love, Sunset Boulevard, Whistle Down the Wind, The Beautiful Game, Bombay Dreams, The Woman in White, The Sound of Music, Love Never Dies, The Wizard of Oz, Stephen Ward, School of Rock, Unmasked, Cinderella.
Musical Ensemble Casting: Matilda, Greatest Days, Mamma Mia! Here we Go Again, Beauty & The Beast, Aladdin, Mamma Mia! UK Dancer Casting: Mary Poppins Returns, Nine. Casting Director: The Phantom of the Opera.
Sound of Music Live (2016 BAFTA Award), Superstar, Over the Rainbow, I’d Do Anything, Any Dream Will Do, How Do Solve A Problem like Maria, (2007 Emmy Award), Kombat Opera presents…(2008 Golden Rose Montreux Award) Hollyoaks, West End Star (TV3 Sweden).
Casting Directors: Will Burton, Stephen Crockett
Casting Associate: Amy Beadel
Casting Assistant: Tam Kirk
CAMPBELL YOUNG ASSOCIATES
WIGS, HAIR AND MAKE-UP
CAMPBELL YOUNG ASSOCIATES
West End - Groundhog Day, 42nd Street, Aspects Of Love, Groundhog Day, Guys & Dolls, The King & I, As You Like It, Good, Eureka Day, Into The Woods, Back To The Future, Cinderella, Anything Goes, Get Up Stand Up, The Drifters Girl, Rosmersholm, All About Eve, Funny Girl, St. Joan, One Night in Miami, City of Angels, The Young Chekhov Trilogy, High Society, Gypsy, Guys & Dolls, The Bodyguard.
Broadway – Bad Cinderella, A Beautiful Noise, Almost Famous, The Devil Wears Prada (Chicago) Funny Girl, The Music Man, Carousel, Head Over Heels, Three Tall Women, Hello Dolly!, Head Over Heels, The Crucible, Misery, Sylvia, A Delicate Balance, Les Miserables.
Broadway/West End - Leopoldstadt, To Kill A Mockingbrid, Company, A Christmas Carol, TINA – The Tina Turner Musical, The Ferryman, The Girl from the North Country, Farinelli and the King, Groundhog Day, Charlie and the Chocolate Factory, The Cripple of Inishmaan, Matilda, Ghost-The Musical, Billy Elliot.
Opera - Don Carlos, L’enfant et les sortileges (Bolshoi Opera Moscow); Anna Nicole (BAM.)
Film and TV includes: The Guilded Age, Downton Abbey, The Marvelous Mrs Maisel
Awards: Drama Desk Award 2020 - Outstanding Wigs and Hair for TINA - The Tina Turner Musical
Theatre includes: Back to the Future (Musical Director), The American Clock (Musical Director, Old Vic), Kinky Boots (UK Musical Director, Adelphi), Romantics Anonymous (Musical Director, Shakespeare’s Globe), Once (Associate Musical Supervisor, Phoenix), Loserville (Musical Director, Garrick), Blood Brothers (Associate Musical Director, Phoenix), We Will Rock You (Associate Conductor, Dominion) and Big (Assistant Musical Director, Dominion). Touring: Kinky Boots (UK Musical Supervisor, UK tour), Once (Associate Musical Supervisor, US tour and Canadian productions), We Will Rock You, Blood Brothers, This is Elvis and Twelfth Night the Musical (all as Musical Director), Scrooge, Dr Dolittle and Joseph and the Amazing Technicolor Dreamcoat (all as Assistant Musical Director) and Steptoe & Son (Musical Director and Recording). Arrangements include: Dr Dolittle and The Concert They Never Gave.
Training: Young Vic and the Liverpool Institute for Performing Arts where he was awarded the Sir Paul McCartney Human Spirit Award.
Richard is currently the International Associate Director for Back to the Future, The Musical.
Director credits include: Ruthless! The Musical (Arts Theatre), Growl (UK tour and China), The Importance of Being Earnest (Theatr Clwyd), Barnes' People and The Moment Before I'm Powerful (both Trafalgar Studios), Cinderland and A Kid Like Jake (both Old Vic), Land's End (Birmingham Rep), The Hour of Feeling (Public Theatre, New York), Last Man on the Heygate (Lyric Hammersmith), The Boy Who Lived Down the Lane (Riverside Studios), The Addams Family, Carrie The Musical, Fun Home, Flora and the Menace, Violet (Mountview), Bandstand, Legally Blonde, Once on This Island, Top Hat (ArtsEd), Bonnie and Clyde (Institute of Arts Barcelona), Much Ado About Nothing (Liverpool Institute for the Performing Arts) and Tour Director of Funny Girl (UK tour).
Assistant, Resident and Associate Directing credits include: Barnum, Assassins, Dinner with Sadaam (Menier Chocolate Factory), Buried Child and The Spoils (both Trafalgar Studios), The Ruling Class and Richard III (both Trafalgar Transformed), Jack and the Beanstalk (Lyric Hammersmith), Island (National Theatre), The Marriage of Figaro (Watermill), The Machine Gunners (Polka), Double Falsehood (Union), Lakeboat and Prairie du Chien (both Arcola), The Great British Country Fete (Bush) and Urinetown the Musical (Apollo).
Training: Allesley School of Dance, Coventry and Laine Theatre Arts. After performing in numerous West End productions, he now works as a choreographer.
Theatre includes: Friendsical (UK tour), The Ruling Class (Trafalgar Studios), The End of Longing (Playhouse Theatre), Associate Choreographer on Kinky Boots (UK and Norwegian Cruise Lines), Dirty Rotten Scoundrels (Savoy) and The Christmasaurus Live (Eventim Apollo) and Resident Choreographer on Ghost the Musical (Piccadilly Theatre).
Associate Set Designer
Ross trained at Kent University.
Associate Design credits include: Life of Pi (Sheffield/ West End), Dreamgirls (West End/ UK Tour), Travesties (Menier/ West End/ Broadway), The Bodyguard (UK & International Tours), Shrek (UK Tour), Singin’ in the Rain (Chatelet Paris), Carmen & Don Quixote (Royal Ballet), Mr Footes Other Leg(West End), Soldiers of Solitude (Hampstead), Little Eyolf (Almeida),Temple (Donmar) and Fiddler on the Roof (Menier /West End)
THE TWINS FX
VISUAL SPECIAL EFFECTS
THE TWINS FX
The Twins FX are leaders of theatrical visual special effects, illusions and animatronics. They make the impossible possible for theatre productions, film and television worldwide.
The Twins FX were recognised as part of the creative team who helped Crossroad Pantomimes achieve its Olivier award. It’s the first time that a pantomime has won such a prestigious award. The Twins FX have established themselves as the market leaders in large-scale theatrical effects, working on shows such as Jeff Wayne’s War of the Worlds, Doctor Who Live, the UK tour of Barnum and Hamlet with Benedict Cumberbatch in the title role. They have also created stunning effects for TV’s Strictly Come Dancing, Michael McIntyre’s Big Show, The Next Great Magician, Britain’s Got Talent, Tonight at The London Palladium, The One Show and ITV’s Grace. The Twins FX have also supplied effects for Hollywood blockbuster movies including Now You See Me 2 and The Mummy. It’s great to be part of the Back to the Future team, being lifelong fans of the films.
Having graduated from the University of Durham a long time ago Simon began working in stage management at English National Opera and then Scottish Opera. He moved into production management over thirty years ago and has gone on to oversee all technical aspects of many international shows such as Mamma Mia!, The Phantom of the Opera, & Juliet, Back to The Future and numerous other West End / Broadway musicals and plays.
Beyond the Dawn (Kate Bush at the Hammersmith Apollo) was a happy and different process to add to the list.
A chronicle of achievements is not interesting to most programme readers – his best, however, are Harry, Freddy, Martha and Wilf – his four children.
Donovan is an American producer active in theatre, film and music. Frequently collaborating with Colin Ingram, their production of Back To The Future-The Musical at the Adelphi Theatre won Best New Musical at the 2022 Olivier Awards, the 2022 What’sOnStage Awards and the 2022 BroadwayWorld UK Awards. Donovan also produced the 2022 production of Grease at the Dominion Theatre and the musical's 2019 and 2021 UK tours. Donovan’s first foray into theatre was the Broadway and West End productions of Ghost-The Musical which received three Tony nominations and five Olivier nominations. In 2013, Donovan produced Breakfast at Tiffany’s on Broadway starring Emilia Clarke; it won Best New Play at the BroadwayWorld.com Awards. Donovan produced the film Prey for Rock & Roll starring Gina Gershon which premiered at 2003 Sundance Film Festival and the record Punk Standards by Deborah Dutcher, his wife. He also acted in the Oscar winning film Philadelphia.
Donovan is eternally grateful to the brilliant creative team and cast that have brought this show to life and pinches himself every day that he is a part of it. Most of all, he wishes to thank his good friend and co-producer Colin Ingram, his wife Debby, his son Donny and all of the people who have ever inspired or supported him in his life, of which there are too many to mention.
FRANKEL / VIERTEL / BARUCH / ROUTH GROUP
FRANKEL / VIERTEL / BARUCH / ROUTH GROUP
The Frankel Viertel Baruch Routh Group (Producers) has produced and general managed plays and musicals for the past 37 years including the original Broadway productions of The Producers; Hairspray; Young Frankenstein; Smokey Joe’s Café; Angels in America; Penn & Teller; Love Letters, Swing!; The Weir; The Encounter and The Parisian Woman starring Uma Thurman. Their revivals on Broadway include Gypsy with Patti LuPone and Laura Benanti, the Old Vic’s The Norman Conquests, A Little Night Music with Catherine Zeta Jones and Angela Lansbury and later Bernadette Peters and Elaine Stritch, John Doyle’s Sweeney Todd with Patti LuPone and Company with Raul Esparza; A Funny Thing… Forum with Nathan Lane and later Whoopi Goldberg, and the first-ever Broadway revivals of The Sound of Music and Little Shop of Horrors. Notable Off-Broadway premieres include Driving Miss Daisy; Frankie & Johnny in the Clair de Lune; The Cocktail Hour;Oleanna; Jeffrey; Marvin’s Room; and Stomp. They've mounted tours and productions in London, Australia, Canada, Europe and throughout Asia. Their awards include two Pulitzer Prizes, three Olivier Awards for Best Musical and four Grammy’s. Their nine Tony Awards include all four Best categories: Play, Musical, Revival of a Play and Revival of a Musical. They own and operate the acclaimed Broadway-themed nightclub/cabaret 54 Below, which presents over 650 performances each year and was the recipient of the 2022 Tony Awards Honor for Excellence in the Theatre.
Select West End and London: Cabaret (Olivier Award), Back To The Future (Olivier Award), Moulin Rouge! (Olivier Nomination), Dear Evan Hansen (Olivier Award), The Inheritance (Olivier Award), Kinky Boots (Olivier Award), Get Up! Stand Up! (Olivier Nomination), 2:22 (Olivier Nomination), Pretty Woman: The Musical, Tina: The Musical.
Select Broadway: Hadestown (Tony Award), The Inheritance (Tony Award), Moulin Rouge! (Tony Award), A Strange Loop (Tony Award), Company(Tony Award), Mr. Saturday Night (Tony Nomination), Funny Girl, Caroline, or Change (Tony Nomination), Once On This Island (Tony Award), Dear Evan Hansen (Tony Award), Kinky Boots (Tony Award).
Select Off-Broadway: Little Shop of Horrors.
GAVIN KALIN PRODUCTIONS
GAVIN KALIN PRODUCTIONS
Gavin Kalin Productions is an award-winning theatrical production company that specialise in producing theatre in the West End, on Broadway and internationally.
Recent West End credits include Cabaret, Back to the Future The Musical, Cyrano, Betrayal, 9 to 5 The Musical, Pretty Woman The Musical, Come From Away, Pinter at the Pinter, Sweat, King Lear, Oslo and The Ferryman.
UK Tour credits include Shrek The Musical, An Officer and Gentleman The Musical and Priscilla Queen of the Desert.
Recent Broadway credits include Plaza Suite, Caroline or Change, Funny Girl, Betrayal, Sea Wall/ A Life, Hadestown and The Ferryman.
Other entertainment titles include Monopoly Lifesized, Doctor Who: Time Fracture and Peaky Blinders: The Rise.
Gavin is also the founder of Totally Theatre Productions Ltd, a TV/Video production company that specialize in producing Broadcast and online content for theatre and live entertainment. Clients are worldwide with many in the West End and on Broadway.
Combining our knowledge of theatre and capital, Playing Field is dedicated to accelerating the creation of world class theatre. We are involved in the early-stage development, late-stage investment and production of a wide variety of projects in London, nationally and internationally.
Work includes Life of Pi, The Human Voice, The Ocean at the End of the Lane, Moulin Rouge, The Lehman Trilogy (London and NY), The Drifters Girl, The Lion, The Witch and The Wardrobe, Magic Goes Wrong, Punchdrunk The Burnt City, Jerusalem, Funny Girl (NY), The Cher Show, The Little Prince, Spring Awakening, The Time Travellers Wife, 101 Dalmatians, Identical, Good, New Adventure’s Nutcracker!, Cruise, Newsies, Disney’s Bedknobs and Broomstick, Singin’ in the Rain, Chicago, School of Rock, My Best Friend’s Wedding, The Art of Banksy, What the Ladybird Heard, The Comeback, Grease, Hairspray, Joseph and the Amazing Technicolor Dreamcoat, Annie, Oi Frog and Friends, The Son, Noises Off, White Christmas, Touching the Void, The Bodyguard, The Barbershop Chronicles, A Taste of Honey, Nine Night, Mame, The Curious Incident of the Dog in the Night Time, Fiddler on the Roof, Rosmersholm, Home, I’m Darling, Groan Ups, Priscilla Queen of the Desert.
Crush Music is a management company founded by Bob McLynn and Jonathan Daniel representing Green Day, Sia, Fall Out Boy, Lorde, Panic! At the Disco, Miley Cyrus, Train and Weezer, among others.
CJ ENM is Korea's leading entertainment and media company based in Seoul, LA and New York.
Broadway, West End and Korean theatre includes:MJ The Musical, Moulin Rouge! The Musical (Tony Award), Kinky Boots (Tony Award, Olivier Award), Big Fish, The Bodyguard, Beetlejuice, 42nd Street and Maybe Happy Ending.
Film includes: Parasite (Academy Award, Cannes Palme d'Or), Snowpiercer, Broker, Decision To Leave and The Handmaiden
CJ ENM is a member of the Broadway League.
Teresa Tsai is a long-time supporter of the arts. Teresa serves on the Board of Trustees of The Public Theater in New York City and is a member of the Production Circle of the Royal Shakespeare Company. Broadway theatre credits include Sea Wall/A Life, which received four nominations for the upcoming 2020 Tony Awards®, including for Best Play, and The Girl from the North Country.
IVY HERMAN / HALLEE ADELMAN
IVY HERMAN / HALLEE ADELMAN
Ivy Herman and Hallee Adelman co-founded of World of HA Productions to develop and support film & theatre productions. Projects include Emmy award-winning The Social Dilemma, Oscar nominated documentary, Writing with Fire, Oscar shortlisted film, The Truffle Hunters, and festival award-winning documentaries, Us Kids, Art & Krimes by Krimes, and Our American Family. This “avid story lover” and “filmmaker / children’s book author” producing duo is honored to be a part of this special, theatrical production of their childhood favorite movie, Back to the Future.
Robert L. Hutt
Robert L. Hutt
Bob is an American entrepreneur with a financial consulting company; and, managing a large thoroughbred racing & breeding operation. Bob's currently active in theatre as a producer in the award winning, Back To The Future The Musical, the 2022 "Best New Musical" WhatsOnStage award winner. He's extremely proud and honored that Back To The Future The Musical, has garnered seven prestigious 2022 Olivier Nominations. Bob's first venture into producing was Breakfast at Tiffany’s on Broadway starring Emilia Clarke, which won Best New Play at the Broadwayworld.com awards. Bob's investment group, Green Energy Solutions, LLC takes great pride in supporting theatre and the arts.
Ricardo Marques, founder of 4Act Entertainment, started his career as a singer and actor, later becoming a director and producer, and has worked in the theatre industry for twelve years.
In Brazil, Ricardo was lead producer and artistic director of Broadway and West End shows like Ghost, In the Heights, Rock of Ages, Fame, Bare, and also developed three original Brazilian shows. Ricardo also directed Disney's Newsies in the Brazilian Workshop.
Ricardo has invested in a host of Broadway productions and is also developing four new productions in the US and UK with major lead producers.
Recent productions include Back to the Future the Musical and the UK Tour of Grease directed by Nikolai Foster and choregraphed by Arlene Phillips.
In New York is producer and co-director in the original show We are Ameena, workshopped at 42nd studios.
Ricardo studied Musical Theatre in New York, graduating from FAAP in Business and completed a Masters in Cinema/Filmmaking. Ricardo founded the first specialized musical theatre school in Brazil and Latin America, the 4Act Performing Arts.
Augury is an international production company and artist sanctuary founded by Glen Ballard. A creative atelier based in Hollywood, Augury creates, develops and produces artistically driven projects in film, television and theatre.
Augury grows projects from the ground up, often starting with music as the inspiration and predicate (i.e. the Netflix Limited Series, The Eddy) to engender unique and vibrant works rooted in quality story-telling.
The company is operated by Steph Whittier, an LA-based creative who has worked with Glen since 2016. Together they formed Augury Au, an artistic collaboration under the Augury umbrella that includes Back to the Future. Steph assisted Glen with the Back to the Future development and produced its debut showcase with Bob Gale in 2017.
Augury is also adapting a stage version of the film The Rose (1979) with Gail Berman (The Jackal Group) and Michael Gorfaine and Sam Schwartz producing, with several other projects in development.
InTheatre Productions was founded in 2018 by Colin Ingram and Peter Kane. An independent and innovative theatre company with its offices in Soho, London, it general manages Back to the Future the Musical at the Adelphi Theatre and produces Grease at the Dominion Theatre. InTheatre has also co-produced On Your Feet (London Coliseum/UK tour) and White Christmas (Dominion).
Following a successful run at the Storyhouse in Chester, inTheatre's production of The Time Traveller’s Wife Musical directed by Bill Buckhurst with music by Brit Award winner Joss Stone and Grammy® and Golden Globe winner Dave Stewart from the Eurythmics, will open in October at the Apollo Theatre, London.